Edward Burne-Jones
Love Among the Ruins, 1894
The Beguiling of Merlin, 1874
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Dante Gabriel Rossetti
Lady Lilith, 1863
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John Everett Millais
Cherry Ripe, 1879
Esther, 1865
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John Roddam Spencer Stanhope
Morgan Le Fay, 1862-3
Love and the Maiden, 1877***
Evelyn De MorganDe Morgan (1855–1919) was a really talented artist. Despite the fact that her family did not support her talent, she studied in secret until she was fifteen, when she was finally allowed to attend a school of Arts, where she proved to be a prominent student. She had been an admirer of the works of Botticelli and was also influenced by the work of her uncle John Roddam Spencer Stanhope.
De Morgan's art reveals her passion for painting. Her artistic style, in one sense, looks different than her contemporaries - it seems that she often tends toward a dark aesthetic, which is an aspect I really like in her works.
De Morgan uses a lot of allegories in her paintings in relation to the images of women she creates. Women (in the paintings) are the protagonists, they have power to control their lives and that was not a common theme at her time. Apart from the role of women and the theme of 'imprisonment', her art also attempts to explore spiritual and philosophical issues on which she took great interest.
There many things to say on her work and her personality...
This is the (mysterious) beauty of her paintings...
Cadmus and Harmonia, 1877
Night and Sleep, 1878
The Field of the Slain, 1916
Angel of Death, 1890
The Mourners, 1916-17
Aurora Triumphans, 1877-8
Dryad, 1884–85
Port after Stormy Seas, 1905
Flora, 1894
Helen of Troy, 1898
Cassandra, 1898
Queen Eleanor & Fair Rosamund, 1905
The Love Potion, 1903
Hope in a Prison of Despair, 1887
Ariadne at Naxos, 1877