the master of colour photography

- William Eggleston -

Untitled (Election Eve), 1976

Greenwood (The Red Ceiling), 1973

Untitled (Feet on earth road), c.1970–73

Untitled (Blue ceiling), 1970-73

Untitled (Freezer), Memphis, Tennessee, early 1970s

Untitled, Windsor Ruins, Mississippi, early 1980s

Biloxi, Mississippi, 1972

Southern Suite, 1981

Ancient to Modern

Untitled, 1969–74

For Now cover

Untitled, Los Angeles, late 1990s

Untitled, 2 and 1/4

Untitled, 1695-68, from Los Alamos

Untitled, 1970-73

Untitled, Memphis, Tennessee, c.1971

Untitled, c.1975

Untitled, 1971-74, from Los Alamos

Untitled, 1973

Untitled, 1974

Untitled, from William Eggleston's Graceland, 1984

Untitled, Mississippi, c.1970

Faulkner's Mississippi

Untitled (Girl with Ring), c.1968-72

Yellow Negligee, 1967

William Eggleston by Stanley Booth

Untitled (Red-Car), 1970-73

(All images © Eggleston Artist Trust)

editorial flashback (1987)

photography by Sante D'Orazio

Kristen McMenamy for Harper's Bazaar Germany

Yasmin Le Bon for L.A. Style

(source: tfs)

(in)complete

Yohji Yamamoto Fall 2015

source: style.com

the 11th of February

"Perhaps when we find ourselves wanting everything, 

it is because we are dangerously close to wanting nothing."

"Dying is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. 

I do it so it feels real. I guess you could say I've a call."

- Sylvia Plath -

***

"There is a hidden agenda in the fragility of romance."

"I just want to be a wallflower. Nondescript. Just not anything. I don't want to see me."

- Alexander McQueen -